if you choose to believe that in hobbit culture fat = sexy then when Gollum called Sam a ‘stupid fat hobbit’ from Sam’s perspective he was basically being called a himbo.
what gollum said: stupid fat hobbit
what gollum meant: ur ugly and stupid
what sam heard: you’re a hottie but you’re dumb as shit
sam:
guys Gollum used to be a hobbit…he was shooting his shot
welcome!!!!!! this is long overdue. i’ve been promising myself i’d made this forever. so here it is - the ultimate masterpost of wlw (women loving women) books. not all characters are lesbians, some are bi or pan, though all books feature f/f relationships and/or themes. there are 150+ recommendations, so enjoy!
AU: International pop sensation Hannah Montana and critically acclaimed actor Keanu Reeves are Hollywood’s hottest couple. The two have recently become engaged and on the night of Keanu’s first Oscar win, Hannah suffers a terrible accident whilst performing at her sold out show at Madison Square Garden. Hannah is rushed to hospital but there is nothing the doctors can do to save her life. Keanu is devastated and left with no option other than to terminate her life support.
Electron microscope video of a needle on a vinyl record.
H O W
like you can tell me all you want how the sound is stored in the grooves but fucking H O W
HOW DOES THAT GET INTO THE NEEDLE
HOW ARE THE VIBRATIONS TURNED INTO MUSIC THAT YOU CAN HEAR???
H O W
The vibrations aren’t “turned into” music, they are music. When vibrations occur inside your inner ear, your brain processes this as sound.
The grooves in a record are an analogy for these vibrations, a method of remembering them so that they can be recreated later on.
Put your hand on a speaker while loud music is playing and you’ll feel the vibrations. Those are exactly the same vibrations happening inside your ear when you hear the music.
But how do you capture that?
Take a surface that vibrates strongly when a sound is played, like the skin of a drumhead for example. Connect that surface to a little tool - when sound causes the surface to vibrate, the tool digs a little bit into some wax, leaving behind a pattern that matches - in proportion - the vibrations of the surface caused by the sound. This is your analogy (hence: analog music).
Now, when there’s no sound playing, you run that little tool back over the pattern. This causes the skin to vibrate again, this time in response to the tool running over the pattern instead of because of an external sound. The vibrations should match, proportionally, the original vibrations of the music.. and thus these new vibrations, if you were to amplify them, would be a recreation or “recording” of the original music.
That’s oversimplified of course and things have changed a lot since the days of wax, but that is very basically how the process of recording music worked at first, and the general idea of how sound gets from a groove in a record into your brain.